The Double: A Petersburg Poem Read online

  Meanwhile, the ladies established in the drawing-room suddenly became very affable and began talking about dress-materials. And the venerable host, who had lost the use of his legs in the service of loyalty and religion, and had been rewarded with all the blessings we have enumerated above, began walking about on crutches among his guests, supported by Vladimir Semyonovitch and Klara Olsufyevna, and he, too, suddenly becoming extremely affable, decided to improvise a modest little dance, regardless of expense; to that end a nimble youth (the one who was more like a civil councillor than a youth) was despatched to fetch musicians, and musicians to the number of eleven arrived, and exactly at half-past eight struck up the inviting strains of a French quadrille, followed by various other dances. . . . It is needless to say that my pen is too weak, dull, and spiritless to describe the dance that owed its inspiration to the genial hospitality of the grey-headed host. And how, I ask, can the modest chronicler of Mr. Golyadkin's adventures, extremely interesting as they are in their own way, how can I depict the choice and rare mingling of beauty, brilliance, style, gaiety, polite solidity and solid politeness, sportiveness, joy, all the mirth and playfulness of these wives and daughters of petty officials, more like fairies than ladies—in a complimentary sense—with their lily shoulders and their rosy faces, their ethereal figures, their playfully agile homeopathic—to use the exalted language appropriate—little feet? How can I describe to you, finally, the gallant officials, their partners—gay and solid youths, steady, gleeful, decorously vague, smoking a pipe in the intervals between the dancing in a little green room apart, or not smoking a pipe in the intervals between the dances, every one of them with a highly respectable surname and rank in the service—all steeped in a sense of the elegant and a sense of their own dignity; almost all speaking French to their partners, or if Russian, using only the most well-bred expressions, compliments and profound observations, and only in the smoking -room permitting themselves some genial lapses from this high tone, some phrases of cordial and friendly brevity, such, for instance, as: "'Pon my soul, Petka, you rake, you did kick me off that polka in style," or, "I say, Vasya, you dog, you did give your partner a time of it." For all this, as I've already had the honour of explaining, oh, my readers! my pen fails me, and therefore I am dumb. Let us rather return to Mr. Golyadkin, the true and only hero of my very truthful tale.

  The fact is that he found himself now in a very strange position, to the least of it. He was here also, gentlemen—that is, not at the dance, but almost at the dance; he was "all right, though; he could take care of himself," yet at that moment he was a little astray; he was standing at that moment , strange to say—on the landing of the back stairs to Olsufy Ivanovitch's flat. But it was "all right" his standing there; he was "quite well." He was standing in a corner, huddled in a place which was not very warm, though it was dark, partly hidden by a huge cupboard and an old screen, in the midst of rubbish, litter, and odds and ends of all sorts, concealing himself for the time being and watching the course of proceedings as a disinterested spectator. He was only looking on now, gentlemen; he, too, gentlemen, might go in, of course . . . why should he not go in? He had only to take one step and he would go in, and would go in very adroitly. Just now, though he had been standing nearly three hours between the cupboard and the screen in the midst of the rubbish, litter and odds and ends of all sorts, he was only quoting, in his own justification, a memorable phrase of the French minister, Villesle: "All things come in time to him who has the strength to wait." Mr. Golyadkin had read this sentence in some book on quite a different subject, but now very aptly recalled it. The phrase, to begin with, was exceedingly appropriate to his present position, and, indeed, why should it not occur to the mind of a man who had been waiting for almost three hours in the cold and the dark in expectation of a happy ending to his adventures. After quoting very appropriately the phrase of the French minister, Villesle, Mr. Golyadkin immediately thought of the Turkish Vizier, Martsimiris, as well as of the beautiful Mergravine Luise, whose story he had read also in some book. Then it occurred to his mind that the Jesuits made it their rule that any means were justified if only the end were attained. Fortifying himself somewhat with this historical fact, Mr. Golyadkin said to himself, What were the Jesuits? The Jesuits were every one of them very great fools; that he was better than any of them; that if only the refreshment-room would be empty for one minute (the door of the refreshment-room opened straight into the passage to the back stairs, where Mr. Golyadkin was in hiding now), he would, in spite of all the Jesuits in the world, go straight in, first from the refreshment-room into the tea-room, then into the room where they were now playing cards, and then straight into the hall where they were now dancing the polka, and he would go in—he would slip through—and that would be all, no one would notice him; and once there he would know what to do.

  Well, so this is the position in which we find the hero of our perfectly true story, though, indeed, it is difficult to explain what was passing in him at that moment. The fact is that he had made his way to the back of the stairs and to the passage, on the ground that, as he said, "why shouldn't he? and everyone did go that way?"; but he had not ventured to penetrate further, evidently he did not dare to do so . . . "not because there was anything he did not dare, but just because he did not care to, because he preferred to be in hiding"; so here he was, waiting now for a chance to slip in, and he had been waiting for it two hours and a half. "Why not wait? Villesle himself had waited. But what had Villesle to do with it?" thought Mr. Golyadkin: "How does Villesle come in? But how am I to . . . to go and walk in? . . . Ech, you dummy!" said Mr. Golyadkin, pinching his benumbed cheek with his benumbed fingers; "you silly fool, you silly old Golyadkin—silly fool of a surname!" . . .

  But these compliments paid to himself were only by the way and without any apparent aim. Now he was on the point of pushing forward and slipping in; the refreshment-room was empty and no one was in sight. Mr. Golyadkin saw all this through the little window; in two steps he was at the door and had already opened it. "Should he go in or not? Come, should he or not? I'll go in . . . why not? to the bold all ways lie open!" Reassuring himself in this way, our hero suddenly and quite unexpectedly retreated behind the screen. "No," he thought. "Ah, now, somebody's coming in? Yes, they've come in; why did I dawdle when there were no people about? Even so, shall I go and slip in? . . . No, how slip in when a man has such a temperament! Fie, what a low tendency! I'm as scared as a hen! Being scared is our special line, that's the fact of the matter! To be abject on every occasion is our line: no need to ask us about that. Just stand here like a post and that's all! At home I should be having a cup of tea now . . . It would be pleasant, too, to have a cup of tea. If I come in later Petrushka 'll grumble, maybe. Shall I go home? Damnation take all this! I'll go and that'll be the end of it!" Reflecting on his position in this way, Mr. Golyadkin dashed forward as though some one had touched a spring in him; in two steps he found himself in the refreshment-room, flung off his overcoat, took off his hat, hurriedly thrust these things into a corner, straightened himself and smoothed himself down; then . . .then he moved on to the tea-room, and from the tea-room darted into the next room, slipped almost unnoticed between the card-players, who were at the tip-top of excitement, then . . . Mr. Golyadkin forgot everything that was going on about him, and went straight as an arrow into the drawing room.

  As luck would have it they were not dancing. The ladies were promenading up and down the room in picturesque groups. The gentlemen were standing about in twos and threes or flitting about the room engaging partners. Mr. Golyadkin noticed nothing of this. He saw only Klara Olsufyevna, near her Andrey Filippovitch, then Vladimir Semyonovitch, two or three officers, and, finally, two or three other young men who were also very interesting and, as any one could see at once, were either very promising or had actually done something. . . . He saw some one else too. Or, rather, he saw nobody and looked at nobody . . . but, moved by the same spring which had sent him dashing into the
midst of a ball to which he had not been invited, he moved forward, and then forwarder and forwarder. On the way he jostled against a councillor and trod on his foot, and incidentally stepped on a very venerable old lady's dress and tore it a little, pushed against a servant with a tray and then ran against somebody else, and, not noticing all this, passing further and further forward, he suddenly found himself facing Klara Olsufyevna. There is no doubt whatever that he would, with the utmost delight, without winking an eyelid, have sunk through the earth at that moment; but what has once been done cannot be recalled . . . can never be recalled. What was he to do? "If I fail I don't lose heart, if I succeed I persevere." Mr. Golyadkin was, of course, not "one to intrigue," and "not accomplished in the art of polishing the floor with his boots." . . . And so, indeed, it proved. Besides, the Jesuits had some hand in it too . . . though Mr. Golyadkin had no thoughts to spare for them now! All the moving, noisy, laughing groups were suddenly hushed as though at a signal and, little by little, crowded round Mr. Golyadkin. He, however, seemed to hear nothing, to see nothing, he could not look . . . he could not possibly look at anything; he kept his eyes on the floor and so stood, giving himself his word of honour, in passing, to shoot himself one way or another that night. Making this vow, Mr. Golyadkin inwardly said to himself, "Here goes!" and to his own great astonishment began unexpectedly to speak.

  He began with congratulations and polite wishes. The congratulations went off well, but over the good wishes out hero stammered. He felt that if he stammered all would be lost at once. And so it turned out—he stammered and floundered . . . floundering, he blushed crimson; blushing, he was overcome with confusion. In his confusion he raised his eyes; raising his eyes he looked about him; looking about him—he almost swooned . . . Every one stood still, every one was silent, a little nearer there was laughter. Mr. Golyadkin fastened a humble, imploring look on Andrey Filippovitch. Andrey Filippovitch. Andrey Filippovitch responded with such a look that if our hero had not been utterly crushed already he certainly would have been crushed a second time—that is, if that were possible. The silence lasted long.

  "This is rather concerned with my domestic circumstances and my private life, Andrey Filippovitch," our hero, half-dead, articulated in a scarcely audible voice; "it is not an official incident, Andrey Filippovitch . . ."

  "For shame, sir, for shame!" Andrey Filippovitch pronounced in a half whisper, with an indescribable air of indignation; he pronounced these words and, giving Klara Olsufyevna his arm, he turned away from Mr. Golyadkin.

  "I've nothing to be ashamed of, Andrey Filippovitch," answered Mr. Golyadkin, also in a whisper, turning his miserable eyes about him, trying helplessly to discover in the amazed crowd something on which he could gain a footing and retrieve his social position.

  "Why, it's all right, it's nothing, gentlemen! Why, what's the matter? Why, it might happen to any one," whispered Mr. Golyadkin, moving a little away and trying to escape from the crowd surrounding him.

  They made way for him. Our hero passed through two rows of inquisitive and wondering spectators. Fate drew him on. He felt himself, that fate was leading him on. He would have given a great deal, of course, for a chance to be back in the passage by the back stairs, without having committed a breach of propriety; but as that was utterly impossible he began trying to creep away into a corner and to stand there—modestly, decorously, apart, without interfering with any one, without attracting especial attention, but at the same time to win the favourable notice of his host and the company. At the same time Mr. Golyadkin felt as though the ground were giving way under him, as though he were staggering, falling. At last he made his way to a corner and stood in it, like an unconcerned, rather indifferent spectator, leaning his arms on the backs of two chairs, taking complete possession of them in that way, and trying, as far as he could, to glance confidently at Olsufy Ivanovitch's guests, grouped about him. Standing nearest him was an officer, a tall and handsome fellow, beside whom Golyadkin felt himself an insect.

  "These two chairs, lieutenant, are intended, one for Klara Olsufyevna, and the other for Princess Tchevtchehanov; I'm taking care of them for them," said Mr. Golyadkin breathlessly, turning his imploring eyes on the officer. The lieutenant said nothing, but turned away with a murderous smile. Checked in this direction, our hero was about to try his luck in another quarter, and directly addressed an important councillor with a cross of great distinction on his breast. But the councillor looked him up and down with such a frigid stare that Mr. Golyadkin felt distinctly as though a whole bucketful of cold water had been thrown over him. He subsided into silence. He made up his mind that it was better to keep quiet, not to open his lips, and to show that he was "all right," that he was "like every one else," and that his position, as far as he could see, was quite a proper one. With this object he rivetted his gaze on the lining of his coat, ten raised his eyes and fixed them upon a very respectable-looking gentleman. "That gentleman has a wig on," thought Mr. Golyadkin; "and if he takes off that wig he will be bald, his head will be as bare as the palm of my hand." Having made this important discovery, Mr. Golyadkin thought of the Arab Emirs, whose heads are left bare and shaven if they take off the green turbans they wear as a sign of their descent from the prophet Mahomet. Then, probably from some special connection of ideas with the Turks, he thought of Turkish slippers and at once, apropos of that, recalled the fact that Andrey Filippovitch was wearing boots, and that his boots were more like slippers than boots. It was evident that Mr. Golyadkin had become to some extent reconciled to his position. "What if that chandelier," flashed through Mr. Golyadkin's mind, "were to come down from the ceiling and fall upon the company. I should rush at once to save Klara Olsufyevna. 'Save her!' I should cry. 'Don't be alarmed, madam, it's of no consequence, I will rescue you, I.' Then . . ."

  At that moment Mr. Golyadkin looked about in search of Klara Olsufyevna, and saw Gerasimitch, Olsufy Ivanovitch's old butler. Gerasimitch, with a most anxious and solemnly official air, was making straight for him. Mr. Golyadkin started and frowned from an unaccountable but most disagreeable sensation; he looked about him mechanically; it occurred to his mind that if only he could somehow creep off somewhere, unobserved, on the sly—simply disappear, that it, behave as though he had done nothing at all, as though the matter did not concern him in the least! . . . But before hour hero could make up his mind to do anything, Gerasimitch was standing before him.

  "Do you see, Gerasimitch," said our hero, with a little smile, addressing Gerasimitch; "you go and tell them—do you see the candle there in the chandelier, Gerasimitch—it will be falling down directly: so, you know, you must tell them to see to it; it really will fall down, Gerasimitch. . . ."

  "The candle? No, the candle's standing straight; but somebody is asking for you, sir."

  "Who is asking for me, Gerasimitch?"

  "I really can't say, sir, who it is. A man with a message. 'Is Yakov Petrovitch Golyadkin here?' says he. 'Then call him out,' says he, 'on very urgent and important business . . .' you see."

  "No, Gerasimitch, you are making a mistake; in that you are making a mistake, Gerasimitch."

  "I doubt it, sir."

  "No, Gerasimitch, it isn't doubtful; there's nothing doubtful about it, Gerasimitch. Nobody's asking for me, but I'm quite at home here—that is, in my right place, Gerasimitch."

  Mr. Golyadkin took a breath and looked about him. Yes! every one in the room, all had their eyes fixed upon him, and were listening in a sort of solemn expectation. The men had crowded a little nearer and were all attention. A little further away the ladies were whispering together. The master of the house made his appearance at no great distance from Mr. Golyadkin, and though it was impossible to detect from his expression that he, too, was taking a close and direct interest in Mr. Golyadkin's position, for everything was being done with delicacy, yet, nevertheless, it all made our hero feel that the decisive moment had come for him. Mr. Golyadkin saw clearly that the time had come for a old stroke, the chance
of putting his enemies to shame. Mr. Golyadkin was in great agitation. He was aware of a sort of inspiration and, in a quivering and impressive voice, he began again, addressing the waiting butler -